{"id":56,"date":"2024-08-16T09:02:08","date_gmt":"2024-08-16T09:02:08","guid":{"rendered":"https:\/\/gotohaneda.com\/?page_id=56"},"modified":"2026-09-04T12:52:20","modified_gmt":"2026-09-04T12:52:20","slug":"film","status":"publish","type":"page","link":"https:\/\/gotohaneda.com\/?page_id=56","title":{"rendered":"Texte \u00fcber Filme"},"content":{"rendered":"\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template has-normal-font-size is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-266 post type-post status-publish format-standard has-post-thumbnail hentry category-film category-games category-literatur\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-1 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=266\" target=\"_self\" >&#8220;ICO&#8221;: Ahnenforschung im Traumschloss<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=266\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"344\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_bbbb8a57b5c0466aa4b3ed970c4db7c4mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"&#8220;ICO&#8221;: Ahnenforschung im Traumschloss\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_bbbb8a57b5c0466aa4b3ed970c4db7c4mv2.jpg 550w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_bbbb8a57b5c0466aa4b3ed970c4db7c4mv2-300x188.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">ESSAY Fumito Ueda schuf mit dem Computerspiel ICO ein stilles Meisterwerk. Doch die bemerkenswerte Architektur dieses Gedankengeb\u00e4udes steht auf einem Fundament, an dem verschiedene grosse K\u00fcnstler und Tr\u00e4umer gearbeitet haben.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=266\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-270 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-2 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=270\" target=\"_self\" >Splatter im M\u00e4rchenwald: Till Kleinerts &#8220;Der Samurai&#8221;<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=270\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"428\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_13d318f84c7b4838a5aef72383427087mv2.png\" class=\"attachment-full size-full wp-post-image\" alt=\"Splatter im M\u00e4rchenwald: Till Kleinerts &#8220;Der Samurai&#8221;\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_13d318f84c7b4838a5aef72383427087mv2.png 640w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_13d318f84c7b4838a5aef72383427087mv2-300x201.png 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">MONSTER-INTERVIEW mit Till Kleinert zu seinem Film &#8220;Der Samurai&#8221;. Thematisiert: Genrekino und das Aufwachsen in der Provinz, Sexismus auf Fantasy Film Festivals, die deutsche Filmlandschaft, Computerspiele und Asia Extreme, und eigentlich alles andere, was sonst noch z\u00e4hlt.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=270\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-263 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-3 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=263\" target=\"_self\" >Jonathan Glazers &#8220;Under The Skin&#8221;: Pass auf, es ist eine Falle!<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=263\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"445\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_6ddc4b61333c46669eb02734dd7a3b52mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Jonathan Glazers &#8220;Under The Skin&#8221;: Pass auf, es ist eine Falle!\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_6ddc4b61333c46669eb02734dd7a3b52mv2.jpg 800w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_6ddc4b61333c46669eb02734dd7a3b52mv2-300x167.jpg 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_6ddc4b61333c46669eb02734dd7a3b52mv2-768x427.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">KRITIK von Jonathan Glazers &#8220;Under The Skin&#8221;, einem der seltenen Filmen, die man sogar im \u00fcbervollen Rahmen eines Festivals unverkennbar als bleibend erkennt.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=263\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-258 post type-post status-publish format-standard has-post-thumbnail hentry category-film category-games\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-4 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=258\" target=\"_self\" >Cage aux folles: David Cages Film-Komplex<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=258\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"714\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_5a434d06b5374d43aa4a510f96652ffbmv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Cage aux folles: David Cages Film-Komplex\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_5a434d06b5374d43aa4a510f96652ffbmv2.jpg 1200w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_5a434d06b5374d43aa4a510f96652ffbmv2-300x179.jpg 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_5a434d06b5374d43aa4a510f96652ffbmv2-1024x609.jpg 1024w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_5a434d06b5374d43aa4a510f96652ffbmv2-768x457.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">ESSAY Wenn man ihn nur lassen w\u00fcrde: Einige Anmerkungen zum &#8216;auteur&#8217; David Cage, seine filmischen Ambitionen, seine Rezeption im Feuilleton, und zu dringend notwendiger Gelassenheit.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=258\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-268 post type-post status-publish format-standard has-post-thumbnail hentry category-film category-games\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-5 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=268\" target=\"_self\" >Paragaming: \u00dcber die gesprengte Hirnschale zum Herz<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=268\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_4c47dd8d66f64741a36ccab642a789f0mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Paragaming: \u00dcber die gesprengte Hirnschale zum Herz\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_4c47dd8d66f64741a36ccab642a789f0mv2.jpg 1280w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_4c47dd8d66f64741a36ccab642a789f0mv2-300x169.jpg 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_4c47dd8d66f64741a36ccab642a789f0mv2-1024x576.jpg 1024w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_4c47dd8d66f64741a36ccab642a789f0mv2-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">LONG ASS ESSAY Auf der M\u00fcllhalde wartet die Wahrheit: \u00dcber die Faszination schlechter Spiele (und Filme) und die Bedeutung von BADTRUTH.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=268\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-250 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-6 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=250\" target=\"_self\" >&#8220;Kakurenbo&#8221;: Kein Verstecken, kein Davonrennen<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=250\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"309\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_cbe92839c4a74506aacdc6dd3e4887b4mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"&#8220;Kakurenbo&#8221;: Kein Verstecken, kein Davonrennen\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_cbe92839c4a74506aacdc6dd3e4887b4mv2.jpg 550w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_cbe92839c4a74506aacdc6dd3e4887b4mv2-300x169.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">KRITIK von Shuhei Moritas und Daisuke Sajikis erstaunlichem DIY-Anime. Acht Kinder verlieren sich beim Spiel in den Eingeweiden eines verlassenen Stadtteils. \u201eKakurenbo\u201c bedient sich zu gleichen Teilen bei japanischen M\u00e4rchen, urbanen Distopien und dem Horror-Genre, um dem Zuschauer eine halbst\u00fcndige Lektion im Unheimlichen zu erteilen.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=250\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-23 post type-post status-publish format-standard has-post-thumbnail hentry category-film category-games\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-7 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=23\" target=\"_self\" >Slapstick im Computerspiel: Newtons \u00fcberforderte Kinder<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=23\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"801\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_1cf58d1a229941478daf8c4dea69bc32mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Slapstick im Computerspiel: Newtons \u00fcberforderte Kinder\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_1cf58d1a229941478daf8c4dea69bc32mv2.jpg 1024w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_1cf58d1a229941478daf8c4dea69bc32mv2-300x235.jpg 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_1cf58d1a229941478daf8c4dea69bc32mv2-768x601.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">ESSAY In dem ich argumentiere, dass Slapstick die Ultima Ratio des Humors in Computerspielen ist.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=23\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-22 post type-post status-publish format-standard has-post-thumbnail hentry category-film category-games\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-8 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=22\" target=\"_self\" >Zerfallende Geschichten: Tschechische Animation und die Spiele von Amanita Design<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=22\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"761\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/Samorost-2_4-1024x761.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Zerfallende Geschichten: Tschechische Animation und die Spiele von Amanita Design\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/Samorost-2_4-1024x761.jpg 1024w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/Samorost-2_4-1024x761-300x223.jpg 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/Samorost-2_4-1024x761-768x571.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">LONG ASS ESSAY \u00dcber das tschechische Animationskino, die zwei Gesichter Prags, die \u00c4sthetik des Ruinierten und die Spiele von Amanita Design.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=22\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-21 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-9 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=21\" target=\"_self\" >Shinya Tsukamotos &#8220;Vital&#8221;: Wunder des Verwundbaren<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=21\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"312\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_9f01ebf57c1f4a22971ea0009daa18f2mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Shinya Tsukamotos &#8220;Vital&#8221;: Wunder des Verwundbaren\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_9f01ebf57c1f4a22971ea0009daa18f2mv2.jpg 550w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_9f01ebf57c1f4a22971ea0009daa18f2mv2-300x170.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">KRITIK von Shinya Tsukamotos &#8220;Vital&#8221;, mit dem der Altmeister des donnerenden Cyberpunk die Stille entdeckte und auf seine gewohnt kompromisslose Art einen ungewohnt meditativen Film \u00fcber Tod, Erinnerung und Liebe schuf. Shinya Tsukamotos Karriere \u00e4hnelt in Form den Gebilden und Kreaturen, die ihn ber\u00fchmt machten und Zeit seines Schaffens begleiteten \u2013 seltsam organisch sind sie&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=21\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-269 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-10 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=269\" target=\"_self\" >Sion Sonos &#8220;Love Exposure&#8221;: Alles Menschenm\u00f6gliche<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=269\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"310\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_8164448ddc7543bfbc8a9fe496da1f51mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Sion Sonos &#8220;Love Exposure&#8221;: Alles Menschenm\u00f6gliche\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_8164448ddc7543bfbc8a9fe496da1f51mv2.jpg 550w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_8164448ddc7543bfbc8a9fe496da1f51mv2-300x169.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">KRITIK von Sion Sonos \u201eLove Exposure\u201c. Coming of Age-Story, Verwechslungskom\u00f6die, Travestie, Karate-Flick, Sozialfarce, Milieustudie, High School-Romanze, Splatterorgie, Grand Guignol und und und und und: Sion Sono fasst mit \u201eLove Exposure\u201c in knapp vier Stunden mehrere Jahrzehnte japanischer Pop-Kultur zusammen und f\u00fchrt sie zugleich zu einem H\u00f6hepunkt. Mit einem Wort: Wahnsinn. Jorge Luis Borge hat \u201eBarock\u201c&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=269\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-248 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-11 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=248\" target=\"_self\" >Zum Kino von Shinji Aoyama und Bong Joon-ho: Den Verzerrer am Anschlag<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=248\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"274\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_89483c78469d453a877d69b24ecc2f6fmv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Zum Kino von Shinji Aoyama und Bong Joon-ho: Den Verzerrer am Anschlag\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_89483c78469d453a877d69b24ecc2f6fmv2.jpg 550w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_89483c78469d453a877d69b24ecc2f6fmv2-300x149.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">ESSAY zum Kino Shinji Aoyamas und Bong Joon-hos. Mit einem eleganten Coup gelang es dem NIFFF 2009, gleich zwei Ehreng\u00e4ste vorzuladen. Offizieller Titeltr\u00e4ger war Shinji Aoyama, der sich am Festival des fantastischen und Genre-Films endlich einmal verstanden f\u00fchlte. Mit mindestens ebenso grossen Ehren bedacht wurde aber Jury-Pr\u00e4sident Bong Joon-ho, dem zwar keine Retrospektive, aber immerhin&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=248\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-18 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-12 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=18\" target=\"_self\" >Shinya Tsukamotos &#8220;Haze&#8221;: 1 Mann, 2 Kubikmeter Beton &#038; 1 raues Erwachen<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=18\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/haze.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Shinya Tsukamotos &#8220;Haze&#8221;: 1 Mann, 2 Kubikmeter Beton &#038; 1 raues Erwachen\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/haze.jpg 2560w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/haze-300x225.jpg 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/haze-1024x768.jpg 1024w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/haze-768x576.jpg 768w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/haze-1536x1152.jpg 1536w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/haze-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">KRITIK von Shinya Tsukamotos \u201eHaze\u201c. Und irgendwo auch eine Einf\u00fchrung in meinen Respekt vor dem Regisseur, den ich einmal einen der konsequentesten und originellsten unserer Zeit nannte.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=18\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-15 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-13 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=15\" target=\"_self\" >&#8220;Tokyo X Erotica&#8221; von Takahisa Zeze: Pink &#038; The Brain<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=15\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"820\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/tokyo_erotica-1024x820.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"&#8220;Tokyo X Erotica&#8221; von Takahisa Zeze: Pink &#038; The Brain\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/tokyo_erotica-1024x820.jpg 1024w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/tokyo_erotica-1024x820-300x240.jpg 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/tokyo_erotica-1024x820-768x615.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">KRITIK von \u201eTokyo X Erotica\u201c von Takahisa Zeze, der Sex-Filme als Mittel der Gesellschaftskritik und metaphysischen Spekulation schafft. (Und diesem Blog den Titel gegeben hat.)<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=15\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-246 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-14 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=246\" target=\"_self\" >Gus Van Sants &#8220;Paranoid Park&#8221; und die Todes-Trilogie: Am anderen Ende der Unschuld<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=246\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"367\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_60f568ae7dfd44989d9d9e972b026514mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Gus Van Sants &#8220;Paranoid Park&#8221; und die Todes-Trilogie: Am anderen Ende der Unschuld\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_60f568ae7dfd44989d9d9e972b026514mv2.jpg 550w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_60f568ae7dfd44989d9d9e972b026514mv2-300x200.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">KRITIK von Gus Van Sants &#8220;Paranoid Park&#8221; und seiner Todes-Trilogie. Nach einem t\u00f6dlichen Ausflug in die W\u00fcste, einem High School-Massaker und dem Tod eines Rockstars wendet sich Gus van Sant in seinem neuesten Film der Skaterszene von Portland zu. Und schliesst damit (beinahe) nahtlos an seine elegische Trilogie \u00fcber den Tod im Medienzeitalter an.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=246\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-245 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-15 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=245\" target=\"_self\" >Monte Hellmans &#8220;Two-Lane Blacktop&#8221;: Man muss sich Sisyphus als autofahrenden Menschen vorstellen<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=245\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"336\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_d9a00b2d2d3e46b18e494cea00379d86mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Monte Hellmans &#8220;Two-Lane Blacktop&#8221;: Man muss sich Sisyphus als autofahrenden Menschen vorstellen\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_d9a00b2d2d3e46b18e494cea00379d86mv2.jpg 450w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_d9a00b2d2d3e46b18e494cea00379d86mv2-300x224.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">KRITIK von Monte Hellmans \u201eTwo-Lane Blacktop\u201c. Was waren noch einmal die Zutaten eines z\u00fcnftigen Road Movies? Eine bolztaugliche Strasse? Check! Aussenseiter gegen den Rest der Welt? Check! Gr\u00f6lende Tunes, dr\u00f6hnende und brummende Motoren? Doppel- und Dreifach-Check!!! Und dennoch ist \u201eTwo-Lane Blacktop\u201c anders. Und zwar ganz sch\u00f6n.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=245\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-244 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-16 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=244\" target=\"_self\" >Herk Harveys &#8220;Carnival of Souls&#8221; und Christian Petzolds &#8220;Yella&#8221;: Einfach nicht tot zu kriegen<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=244\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"900\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c9ea7d51666f4a11bbcf4170ed7ab5f7mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Herk Harveys &#8220;Carnival of Souls&#8221; und Christian Petzolds &#8220;Yella&#8221;: Einfach nicht tot zu kriegen\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c9ea7d51666f4a11bbcf4170ed7ab5f7mv2.jpg 1600w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c9ea7d51666f4a11bbcf4170ed7ab5f7mv2-300x169.jpg 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c9ea7d51666f4a11bbcf4170ed7ab5f7mv2-1024x576.jpg 1024w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c9ea7d51666f4a11bbcf4170ed7ab5f7mv2-768x432.jpg 768w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c9ea7d51666f4a11bbcf4170ed7ab5f7mv2-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">W\u00dcRDIGUNG von Herk Harveys \u201eCarnival of Souls\u201c. Ein f\u00fcr 30\u2019000 Dollar gedrehtes B-Movie wird fr\u00fchzeitig auf dem Friedhof der Billighorror-Filme begraben, um zwanzig Jahre sp\u00e4ter wieder aufzuerstehen als Inspiration f\u00fcr Kritiker, Kultfilmfans und findige Film- und Buchautoren: Eine W\u00fcrdigung des \u201efilms that wouldn\u2019t die\u201c anl\u00e4sslich des Kinostarts seines sp\u00e4ten Nachkommen \u201eYella\u201c.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=244\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-243 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-17 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=243\" target=\"_self\" >Christian Petzolds &#8220;Yella&#8221;: Horror Vacui<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=243\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"853\" height=\"480\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_3791ab2a6c454b66a856948898c68181mv2.png\" class=\"attachment-full size-full wp-post-image\" alt=\"Christian Petzolds &#8220;Yella&#8221;: Horror Vacui\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_3791ab2a6c454b66a856948898c68181mv2.png 853w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_3791ab2a6c454b66a856948898c68181mv2-300x169.png 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_3791ab2a6c454b66a856948898c68181mv2-768x432.png 768w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">KRITIK von &#8220;Yella&#8221;, in dem Christian Petzold B-Movie-Klassiker mit der ostdeutschen Wirtschaftskrise zusammenf\u00fchrt. Und damit den ultimativen Horrorfilm f\u00fcr die Generation Praktikum schafft. In Christian Petzolds &#8220;Die innere Sicherheit&#8221;, waren es die Mitglieder der RAF, die von der Geschichte \u00fcberholt und \u00fcberfahren eine Schattenexistenz in einer Welt f\u00fchrten, in der sie l\u00e4ngst jeden Platz verloren&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=243\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><li class=\"wp-block-post post-240 post type-post status-publish format-standard has-post-thumbnail hentry category-film\">\n<h2 style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-top:var(--wp--preset--spacing--small);margin-bottom:var(--wp--preset--spacing--small)\" class=\"has-link-color wp-elements-18 wp-block-post-title has-text-color has-black-color has-large-font-size\"><a href=\"https:\/\/gotohaneda.com\/?p=240\" target=\"_self\" >Die Poesie der auswegslosen Gewalt: Park Chan-wooks Vengeance-Trilogie<\/a><\/h2>\n\n<figure style=\"padding-top:0;padding-bottom:0;padding-left:0;padding-right:0;margin-right:0;margin-left:0\" class=\"alignwide wp-block-post-featured-image wp-duotone-grayscale\"><a href=\"https:\/\/gotohaneda.com\/?p=240\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c35b669c9b514fa5adea912ce1c232c4mv2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Die Poesie der auswegslosen Gewalt: Park Chan-wooks Vengeance-Trilogie\" style=\"border-top-left-radius:22px;border-top-right-radius:22px;border-bottom-left-radius:22px;border-bottom-right-radius:22px;border-style:none;border-width:0px;aspect-ratio:16\/9;width:100%;height:auto;width:500px;object-fit:cover;\" srcset=\"https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c35b669c9b514fa5adea912ce1c232c4mv2.jpg 1920w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c35b669c9b514fa5adea912ce1c232c4mv2-300x169.jpg 300w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c35b669c9b514fa5adea912ce1c232c4mv2-1024x576.jpg 1024w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c35b669c9b514fa5adea912ce1c232c4mv2-768x432.jpg 768w, https:\/\/gotohaneda.com\/wp-content\/uploads\/2026\/09\/dd22cb_c35b669c9b514fa5adea912ce1c232c4mv2-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><\/figure>\n\n<div style=\"padding-top:var(--wp--preset--spacing--small);padding-bottom:var(--wp--preset--spacing--small)\" class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Fr\u00fcher ESSAY zu Park Chan-wooks Vengeance-Trilogie. Nur einer von vielen, vielleicht aber der beste Grund f\u00fcr einen Besuch des NIFFF 2007 ist die Anwesenheit des s\u00fcdkoreanischen Regisseurs Park Chan-wook, der sich den Ruf eines der innovativsten und radikalsten Filmemacher dieses Zeit erarbeitet hat. In Neuch\u00e2tel wird in einer Retrospektive seines Werks auch die Trilogie zu&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/gotohaneda.com\/?p=240\">Mehr lesen<\/a><\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-56","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gotohaneda.com\/index.php?rest_route=\/wp\/v2\/pages\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gotohaneda.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gotohaneda.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gotohaneda.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gotohaneda.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=56"}],"version-history":[{"count":6,"href":"https:\/\/gotohaneda.com\/index.php?rest_route=\/wp\/v2\/pages\/56\/revisions"}],"predecessor-version":[{"id":1012,"href":"https:\/\/gotohaneda.com\/index.php?rest_route=\/wp\/v2\/pages\/56\/revisions\/1012"}],"wp:attachment":[{"href":"https:\/\/gotohaneda.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}